Fragments of brush stroke and the meaning of 'seeing'
The work of Byung-Chul Woo penetrates the relationship. It is a stage where the world of reality is cast over, and it passes between triggering synesthesia beyond visible ventilation. At first glance, of course, it's just a common scene. However, emptying one's mind will disappear the object of sense and thought, and when that happens, all objects will not actually exist and realize the existence of another perspective. This is where the limits of visual function appear. It's realized that seeing and knowing, knowing and understanding, understanding and recognizing are the same but different.
Like this, it is safe to say that "seeing" in the work of Byung-chul Woo is a destination of behavior and is to learn more specifically about the subject and to become one of the numerous object defined by himself. In other words, it's everything reflected in the retina and includes the meaning of 'recognizing or feeling any fact through consciousness or sense.' Kyung-han Hong (Art Critic)