Cho Moon-ki criticizes the patriarchal attitude by focusing on the nature of interpersonal relationships and pointing out the violence that has become rampant in everyday life. He shows that the unwritten love between families is nothing but a forced ideology. His work leads him to reconsider the essential understanding and inevitable conflict that the image of a family lost as a single body has brought to human relations, and his work conveys the irony of family conflict. Borrowing the motifs of authoritarian and habitual iconography, he iconizes the concept he wants to convey, revealing the strange atmosphere of authority and violence for the continuity of the family through the reinterpretation of iconography.